Over the years, many films have courted controversy which can be at best claimed to be trivial most of the times. Invariably, either its the device of the makers to grab some extra eyeballs or at times due to the fickle mindedness of our fellow beings. The first look posters & trailers of Vysakh's "Vishudhan" did raise some eye brows, but thankfully it didn't evolve into anything serious & rightfully so.
Fr. Sunny (Chackochan) is the priest of a rural church where the natives were poor & easily gullible. The church runs a shelter home, Snehalayam with the financial support of Vavachan (Hareesh Peradi), the only rich individual in the locality. Fr. Sunny is actively involved in ensuring the smooth functioning of the establishment & is assisted in the process by Sr. Sophie (Mia George). However, certain suspicious deaths in Snehalayam makes them realise the fact that Vavachan's philanthropy had more to do with business than mere good will. But before they could raise the alarm, Vavachan starts a slanderous campaign against both of them which rips them off their clergy robes. So can Sunny & Sophie ever expose Vavachan after losing the trust of the natives???
DIRECTION, SCRIPT & TECHNICAL ASPECTS
After churning out blockbuster entertainers, Vysakh has decided to take a totally different route as far as the script is concerned. But the end result seems to be satisfactory as taking up a sensitive issue could have blown out of proportions if he had overdone it. The first half was fantastic especially the Bishop House sequence & laid the platform for an impactful second half. Unfortunately, from there the film takes a downward slide as the main thread becomes side tracked & eventually culminates into a cliched revenge saga. However, there are some hard hitting sequences in the latter half as well but it was far & few. Gopi Sundar's music was average at best with "Oru Mezhuthiriyude" being the pick of the lot as it was stunningly picturised as well by Shenad Jalai.
Chackochan deserves praise on a job well done while Mia seemed fine though it could have been better. Both Nandu & Shaalin Zoya was fantastic & did utmost justice to their roles. However, Hareesh Peradi hams it big time & seemed to be trapped in the character he essayed in "Left Right Left". Sasi Kumar is without doubt the most serene looking bishop that I had seen in Malayalam films & kudos to Vysakh for that.
Verdict: It's definitely worth watching especially for the impactful first half. Though the latter portion disappoints, it still does have it's moments. So in short, do check it out in case you havent!!!