October is upon us & it's time for the Puja holidays which is eagerly looked forward to by students & employees alike. This year, it so happened that the auspicious days fell on the first few working days which invariably meant a long weekend. Hoping to cash in on the extended holidays is Rakeysh Omprakash Mehra's "Mirzya" that had the tinsel town gushing over the making of the movie & the performances of the lead pair. Well it wasn't surprising after all you wouldn't possibly expect them to say anything negative about Harshvardhan Kapoor, son of Anil Kapoor who was making his debut in a movie which was being crafted by some of the best technicians. There is no doubt that the frames shown in the trailer was awe-inspiring & with Gulzar having written the script; the expectations of it being a classic was nigh high. So did it deliver what it promised???
The film opens with a warrior winning an archery competition with the prize being the hand of the princess. However, it didnt seem to impress the other members of the clan & they make it amply clear with their hostile demeanor. The warrior wasn't disturbed by the events that unfolded & elopes with the princess in the dark much to the chagrin of the others who follows in pursuit. In an alternate time period, which happens to be the present day; Munish & Suchi are inseparable friends who always looked out for each other. But when Suchi gets reprimanded at school when she tried to cover up for Munshi who had forgotten his assignment, little did they realize that the subsequent events that unfolded would change their lives forever.
Rakeysh Omprakash is a director who needs no introduction especially with movies like "Rang De Basanti" & "Bhaag Milkha Bhaag" to his credit. In "Mirzya", he has been honoured with the services of renowned lyricist Gulzar who has penned the script with the legendary tale of Mirza Sahiban being the basic idea behind the thread. The highlight of the movie is undoubtedly the magnificent visuals by the Polish cinematographer, Pawel Dyllus who has captured the Leh-Ladakh landscape & the Rajashthani deserts in such a manner that it will leave us spell bound. Equally impressive was the soundtrack by Shankar-Ehsaan-Loy which blends with the mood of the movie & elevates the experience especially in the warrior sequences. But there is a limit as to how much technical brilliance can help if it doesnt have a tale that connects with the audience & that's exactly the problem here. The format which is followed is pretty much similar to "Rang De Basanti", where we have two similar stories running parallel to each other in different time periods. While in "RDB", we root for the protagonists, over here we are more bothered as to when we can relieve ourselves from the boredom gifted by the movie.
Harshvardhan Kapoor looked awesome as the warrior but he didnt quite suit the character of Munish as he failed to convey the rawness & ruggedness that was evident in his appearance. Even Saiyami Kher didnt impress me with her histrionics or dialogue delivery. If at all there was someone who deserves a mention, then it has to be Anjali Patel while all the rest were either average or mediocre.
Verdict: Apart from technical brilliance, there is hardly anything in the movie which makes it worth watching. The movie will have to depend solely on the multiplex audience for its investment but even they are likely to stay away due to the incoherent script. In short, dont bother!!!