Sunday, July 28, 2024

Nadanna Sambhavam, Ullozhukku, Big Ben & Samadhana Pusthakam: "Apart from one, the others fail to impress!!!"

Even as the monsoon lashed the length & breadth of the state, there has been no dearth of movies as it continued to hit the screens every weekend without fail. Most of them failed to make a mark but there were a couple which did have a decent story to convey. So how did it cater to my taste?

Nadanna Sambhavam: "Not much of a sambhavam!!!"

This is Vishnu Narayan's second directorial venture after "Maradona" with the story being the effort of Rajesh Gopinadhan. The events of the plot unfolds in a posh residential colony where Unni (Biju Menon), a marine engineer & his wife, Roshy (Sruthy Ramachandran) with daughter had recently moved in. Unni was the type of character who was pretty warm, friendly & cordial making him a rather popular person among the ladies there. This irked many of their husbands which included Ajith, (Suraj Venjaramood) who had a chauvinistic attitude that led to marital discord with his wife, Dhanya (Lijomol). It was a matter of time before the situation escalated & that's exactly what happened as Unni was literally framed for an incident that he was innocent of. 

In terms of what Vishnu & Rajesh wanted to convey, it did have a credible thread as it was essentially about the subversive emotions of married women. They opted for a satirical tone to it making many of the scenes laced with light humour. But it fails to offer anything unique or novel that kept us invested in it. Luckily for them, I didnt feel it tested our patience though there is no denying that the sequences that followed the police station saga was rather average, not to mention that the climax was quite lame. 

Coming to performances, Biju Menon's character was a cake walk for him & he has done it quite well. Suraj was the one who actually had the scope to perform to which he has done justice as he showcased the traits of a chauvinistic person quite effectively. Lijomol did her part aptly while Shruti didnt have much to do. The rest of the cast have also done their parts reasonably ok. 

Verdict: Not much of a sambhavam except that it is a harmless time-pass flick!!!

Rating: 2/5

Ullozhukku: "Intense emotional drama backed by power-packed performances!!!"

This was a movie that I was eagerly looking forward to for the reason that it featured Urvashi, who I personally consider the most versatile Malayalam actress to date. In addition, it was directed by Christo Tomy who is already a two time National Award winning director at just 36 years of age & the presence of Parvathy, who is also a powerhouse performer in her own right. 

Based on the script penned by Christo himself, it is about the emotional struggles that a mother, Leelamma (Urvashi) & her daughter-in-law, Anju (Parvathy) go through following the death of her son. Due to the heavy rains that had lashed out in the region, the funeral had to be kept on hold as the graveyard was flooded. Over the course of those days, it became evident that Anju was in an unhappy marriage & was keen on starting her life afresh. On the other hand, despite the sorrow; Leelamma looked forward to the arrival of her grand-child. Though everything looked fine on the surface, both of them harboured secrets which threatened to break the very basis of their relationship. 

Christo looks into the emotional package that both the female protagonists from different generations carry. Both of them had unfavourable circumstances thrust upon them by fate & how they chose to deal with it is what is being portrayed. Obviously, as an audience we will end up taking sides as the story slowly unfolds the secrets. Even as all the proceedings were paced properly & realistically showcased, the climax was rather lame as it was rushed & too convenient to reach a pre-determined end. On the technical side, Shehnad Jalal's visuals were fine while Sushin Shyam ensured that silence was given adequate importance to convey the emotional heft. 

Does one even have to talk about Urvashi's performance? The legend has given a power packed performance which kept us completely invested in the story. Giving her apt company was Parvathy who was equally impressive. Prashant Murali as Thomaskutty didn't have much screen space but did his part well along with Arjun Radhakrishnan. The rest of the cast have also done justice to their roles.

Verdict: I dont think they could have chosen a better title for this movie. Kudos to Christo, Urvashi & Parvathy, as it was well made & performed. In short, do check it out!!!

Rating: 3.5/5

Big Ben: "Execution wasn't exactly thought through!!!"

The last week of June saw Bino Augustine making his directorial debut with a story that he had penned about child protection law that is prevalent in the western world. It did have shades of Ashima Chibber's "Mrs Chatterjee vs Norway", though that had marital discord as the main cause. Lovely (Aditi Ravi) worked with the NHS while her husband, Jean (Anu Mohan) was a stay home dad as he was a SI who was presently under suspension due to which he had moved to the UK. Life moves on calmly until an issue happens with Lovely at work to add onto a quarrel that Jean got into with her colleague, Wilson (Vinay Fort) & his friends during an Onam function. This brings in the investigation team into the picture & in Jean's fit of fury, it resulted in an event that injured their daughter. Soon enough, the child welfare agency takes away their child stating that she was not safe to be with her parents. What subsequently unfolds is the effort of the parents to get back their daughter. 

It was an interesting theme & a premise that is not explored much in our industry. The manner in which the story is build was fine & we get to feel the tense situation that the parents go through. There is no doubt that the second half makes for a more engaging watch, but it felt like Bino had pushed the envelope a bit too far as it lacked the believability. In addition, another aspect that could have been given more screen space was the emotional turmoil Lovely went through. The technical aspects were handled well.

On the performance front, Aditi has done a fine job while Anu was decent though he does struggle in the emotional scenes. The rest cast of the cast have which included Nisha Sarang, Biju Sopanam, Vijay Babu did their roles aptly while the presence of Mia George & Chandunath barely had any relevance.

Verdict: Despite the decent theme, the movie falters in its execution.

Rating: 2/5

Samadhana Pusthakam: "This pusthakam is unlikely to give box office samadhanam for the makers!!!"

After having collaborated with Arun Jose in the role of a script writer, the duo decided to reverse roles for this flick with Raveesh Nath making his directorial debut. Along with CP Sivan, they decided to pen a story on the need of sex education rather than sweep it under the carpet & treat it as taboo which in turn led to more harm that could have been easily avoided. 

The story is set a couple of decades back when soft porn magazines were still much in demand as internet was still in its infancy. Muthalib (Irfan) along with his buddies rented out a soft porn magazine from a shop & decided to make some bucks out of it by loaning it to their classmates. However, things takes a turn when Appu (Dhanush) flicks the book from them & the news of such a magazine being circulated among the students reaches the ears of the school authorities.

There are quite a few hilarious scenes as expected & it works reasonably well in the first half. But I felt the latter half could have been much better & though the emotional sequences in the climax had an impact, the subsequent preaching didn't have much effect at all. On the performance front, almost all the youngsters did their parts well while the others such as Veena Nair (especially the climax sequence), James Eli, Siju Wilson etc. provided the adequate support. 

Verdict: Certainly provided the laughs early on, but failed to provide an effective latter half and had a rather tame end!!!

Rating: 1.75/5

Regards...Ben

Saturday, July 13, 2024

Kalki 2898 AD & Gaganachari: "Our film industry has certainly moved ahead in dealing with sci-fi themes!!!"

The T20 WC has come to an end while the Euros & Copa America have reached the business end of the tournament. So much so, that even though I did happen to watch some interesting sci-fi themed movies over the past couple of weeks, I didn't quite find the time to pen my opinion as to why I liked them. These include Nag Ashwin's "Kalki 2898 AD" & Arun Chandu's "Gaganachari". Whenever our Indian movies have ventured into sci-fi, more often than not; it came across as half baked & lacked convincibility. So what made these two flicks work for me???

Kalki 2898 AD: "Visually inspired from many others though creatively it had a soul of its own!!!"

One of the most awaited movie of the year was undoubtedly this flick & to be honest, I didn't have much expectations primarily because of the way majority of Prabhas's movies have shaped up after the "Baahubali" series. To do that, even the trailer looked like it was inspired from a plethora of Hollywood flicks. The only aspect that kept me interested was the stellar star cast which included Big B & Kamal Haasan and that the story was a mix of mythology and sci-fi. 

Based on the script by Ashwin in collaboration with Rutham Samar, Sai Madhav Burra & Sarawagna Kumar, the story is set in the post-apocalyptic world in 2898 AD and it is about the protection of the mother of Lord Vishnu's next avatar, Kalki in Kali Yuga. The movie unfolds in the aftermath of the Kurukshetra War where Aswathama (Big B) tries to kill Uttara's unborn son, the heir apparent to the Pandavas; with Brahmastra, to avenge their loss. However, Krishna intervenes to prevent the mishap & curses Ashwathama to roam the land until redemption comes with him taking the role of a protector for Kalki's arrival. 

This the second directorial venture that I had watched of Ashwin after "Mahanati" which I had also liked. Kudos to the manner in which he has seamlessly blended mythology with sci-fi and will undoubtedly go down as one of the the finest ever VFX/CGI Indian movie. There is no doubt that it was visually inspired from numerous movies like "Guardians of the Galaxy", "Dune", "Star Wars", "Mad Max", "Justice League", "Man of Steel" etc, the list goes on & on. Thankfully it was not just a blatant mediocre rip off but rather handled with finesse that acted as add-ons to a proper story that was engaging & awe evoking. That doesn't mean that it was all hale & hearty, as the first half had significant chunks that just beats around the bush for quite a while before it gets into the proceedings.

Kudos to the vision of Ashwin that went into the world building of Kurukshetra, Complex, Shambala etc & hats off to the dedication of the technical team which was top notch to say the least. Each & every visual aspect was done exceptionally well be it the VFX-CGI & the cinematography by Djordje Stojiljkovic. However, Santhosh Narayanan's music failed to leave a lasting impact though the BGM was impressive.

It might have been understandably marketed as a Prabhas movie but the one who steals the show is Big B. The legend was absolutely brilliant in all facets of the performance including action which was impressive considering he is 81. Another bonafide legend who made his presence felt was Kamal Haasan in a brief appearance who will take centre stage in the sequel. After numerous lack lustered performance since "Baahubali"(though I did like him in "Salaar"), Prabhas is back with a bang as Ashwin knew how to utilize his star power. Deepika puts on a praise worthy show along with Shobhana & Anna Ben (wish she had a longer role), Keerthy Suresh makes a mark with her voice as 'Bujji'. though not sure why Disha Patani was even there. There were a plethora of cameos, most of which failed to hit the mark barring one. 

Verdict: It has already grossed a 1000 C at the box office which might not essentially translate into huge profits for Vyjayanthi Movies considering the production cost was in the range of 600C. Anyway kudos to Ashwin for a well crafted movie & sets the stage for an eagerly awaited sequel!!!

Rating: 3.5/5

Gaganachari: "Mockumentary that makes all the right noises!!!"

I still remember the first time I saw its poster as it had caught my eye due to its uniqueness. However, later on I forgot about it until there was news of it making news at various film festivals. This included the honour of being adjudged the best movie at the Art Blocks International Film Festival held at Copenhagen. 

This is Arun Chandu's third directorial venture & this time around as mentioned earlier has opted for a sci-fi subject that he had penned with Siva Sai. They have placed the story in a dystopian Kerala in 2043 where the planet had ceased to exist in the manner that we know. Victor Vasudevan ( ganesh Kumar) was an ex-military officer that was part of the team that had taken on the aliens when they first came to the planet. Presently, he led a peaceful retired life in a secluded building along with his nephew, Alan (Gokul Suresh) & helper, Vaibhav (Aju Varghese). Things take a turn when Vaibhav unknowingly brings home a female alien (Anarkali Marikkar) & how they manage the situation before it goes out of control is what this movie is about. 

Kudos to both Arun & Siva for pulling this off as it was no easy feat considering they had a minimalistic budget & yet had to convincingly convey to the audience about the sci-fi aspect whenever it was shown. They have intelligently focused their energies on the content which was both witty and quirky in equal measure. As per Arun, the inspiration behind it is Taika Waititi's "What We Do In The Shadows" whereby they made a concoction of Malayalam pop culture references with a liberal sprinkling of the socio-political climate, all of which provide ample moments of humour. The contribution of the technical team has to be really appreciated be it Surjith Pai's visuals, Shankar Sharma's score & Aravind Manmadhan's editing. Their work ensured that Arun's vision was executed in the best manner possible. 

The only time that I could possibly remember when Ganesh genuinely made me to laugh must be in "Manichitrathazhu" (there might be others that I cant recollect). As Victor, he was top notch & handled the humour proficiently, which I believe is undoubtedly one of his best career performances. Another person who surprised me was Gokul as he showed his capability to handle humour. At times, he did tend to go overboard but in the context of his character, I felt it was fine. Aju gives a fine performance along with Anarkali & kudos to Mallika Sukumaran's vocal presence which was a master stroke by Arun.

Verdict: It is definitely an engaging watch that keeps us in good spirits for most parts. Anyway with the makers have already announced their intention to make another flick in the same genre, "Maniyan Chittappan" with Suresh Gopi in the lead (an easter egg related to the same is shown in the movie); it could possibly herald the beginning of sensible sci-fi flicks from our industry. In short, do check it out!!!

Rating: 3.25/5

Regards...Ben