Bha Bha Ba, Haal, Mindiyum Paranjum & Ithiri Neram: "Mixed end to 2025!!!"

Apart from "Sarvam Maya", there were a handful of other flicks that released in December hoping to cash in on the holiday season. Well I dont know what others might have thought about them, but most of them failed to keep me invested in it. So was it the same for you as well???

Bha Bha Ba: "As feared, made a mockery of the devotion & respect that fans have!!!"

2026 was a fantastic year for Lalettan as the legend rocked at the box office & was deservedly honoured with the Dada Saheb Phalke award. However, things took a drastic turn towards the end of the year courtesy of "Vrushabha" (I dont think, I would want to write about it) & "Bha Bha Ba". The latter marked the directorial debut of Dhananjay Shankar with the story penned by Fahim Safar & Noorin Shereef (did they actually write anything??). 

Well the makers had taken anticipatory bail prior to the release with statements that the movie had no logic but just madness. Even with these in mind, I decided to give it a try primarily because of Lalettan's presence. The story is essentially about CM C K Joseph (Baiju Santhosh) being kidnapped by a person who addressed himself as 'The Commoner' (Dileep) from a public event right under the nose of the former's supporters & security personnel. So what was the reason for this kidnap???

There is an effort to make the flick look grand but there is precious little that it could achieve especially with the writing (or rather the lack of it) being mediocre to say the least. The screenplay failed to evoke any sense of engagement or excitement that was expected from a spoof flick and ended up being a pain to the eyes and ears for most of the time. None of the technical aspects stood out & hence I don't think there is any name worth mentioning. 

On the performance front, Dileep was average at best with Vineeth Sreenivasan doing a decent job along with Baiju. Lalettan was wasted in a worthless cameo, Dhyan was ok while Sandy made a mess of the mileage that he got in "Lokah" (hope he doesn't make the same mistake as Guru Somasundaram). There were a plethora of other artists as well who barely mattered. 

Verdict: I cant even understand why Gokulam Gopalan wasted a ton of money on this mediocre stuff where he even made a mockery of himself. In short, don't bother!!!

Rating: 1/5

Haal: "Relevant theme that lacked gravitas in execution!!!

Even prior to the release this was in the news as the CBFC demanded multiple cuts because of the sensitive religious content it was dealing with. This was not the first time that Shane Nigam was part of a project where the focus was on societal pressure due to relationship between two individuals belonging to different communities. The first time was in "Kismath" while over here, 'Love Jihad' was supposed to be the main focal point of the plot.

Set in Kozhikode, Asif Beeran aka Azbee (Shane) aspired to be a rapper & did quite a few small shows in and around his place. One such show was at a wedding where he meets Maria (Sakshi Vaidya) & soon enough, he falls for her. Eventually he expresses his feelings, only to know that her family had already fixed her alliance. However, she reciprocated the feelings though both their families were against the relationship as they belonged to different communities. 

Veeraa is his directorial debut had joined hands with Nishad Koya who had penned the script. The first half for most parts has that typical romance template that doesn't offer anything unique. Subsequently, it deals with the topic of inter-religion marriages, religious conversions and the issues that at times are associated with it. Except for a couple of sequences, I don't think the makers had much clue as to how to deal with the topic which was quite evident in the courtroom scene where it was shown as a walk in the park. The technical aspects were decently done such as Nandagopan's music.

Coming to performances, Shane has done his part well while Sakshi looked good on screen but her inexperience in acting skills shone through. Johny Antony was fine while the rest of the cast were ok as well though they didnt have much to do. 

Verdict: The impression that it gave half way through was that it would dive into the core subject. However, it just skimmed the surface & some of the sequences appeared like a satire further diluting the importance. In short, it is passable at best!!!

Rating: 2/5

Mindiyum Paranjum: "Characters speak the whole time but it fails to hook the audience!!!"

O Henry's 'The Gift of the Magi;" is a short story that needs no introduction as it has been around for more than a century & read by millions. So much so, it has inspired numerous adaptations including Rituparno Ghosh's "Raincoat". The latest adaptation is from our industry as Arun Bose has co-written it with Mridul George & helmed the project which had Aparna Balamurali & Unni Mukundan as the lead pair. 

In terms of the story, there isn't much to explain as Sanal (Unni) & Leena (Aparna) has been married for a couple of years with the former based in the Middle East trying to get his business venture off the ground. In between, Sanal decided to head back home for a quick visit & what this movie captures is essentially the romantic conversations between the husband and wife. This gives us glimpses of their relationship, family dynamics and how it grew over time. 

There is no doubt that both the artists has give an earnest performance & kudos to both of them for that. However, the writing was quite average as it failed to engage the audience beyond a period of time. The situations that the couple go through over the course of their relationship does not provide anything that we haven't seen in the past nor was there any uniqueness in the way it was executed including the technical aspects.

Verdict: Earnest performances let down by an average script that doesn't have much to offer when it comes to hooking the audience!!!

Rating: 2/5

Ithiri Neram: "Feel good romantic drama!!!"

In the above review, I had mentioned about conversational romance & this one from Prasanth Vijay can also be slotted in the same category. The primary difference between the two is that over here Vishak Shakti, in his maiden effort as a script writer focuses on ex-lovers who catch up after a few years. So we have Anish (Roshan Mathew) who runs a popular talk show in an online channel known as 'Ithiri Neram'. On the night prior to the baptism of his child, Anish gets a call from his ex-lover, Anjana (Zarin Shihab) & decides to spent some time with her as she was on her way to the US for higher studies. Over the course of that meeting, they revisit the emotional scars of their love with a smile & end up in a situation that was both hilarious & worrisome.

In the beginning, the movie gives the vibe of Prem Kumar's "96" but as the story moves along, we get to realize that this had an refreshing identity of its own. Obviously, kudos to Vishak for the way he has written the screenplay and the realistic dialogues that captures the organic nature of the relationship. The protagonists are not shown as beacons of virtue but it does not travel further down that path as it is diverted towards a crisis management scenario which provides some of the hilarious moments. In a way, that kind of diluted what it initially started off, though to be honest I still liked the way they decided to conclude the story. 

Apart from the efforts of the people behind the camera including Basil C J's music and befitting background score, the protagonists needs to be thoroughly appreciated for a job well done. Both Roshan & Zarin did their parts exceptionally well as they put in the right amount of subtlety and spontaneity to their performances. They were well supported by Nandu & Anand Manmadhan with Jeo Baby in a cameo as well. 

Verdict: The first half is both soulful & tugs at the emotional cords thanks to the realistic dialogues and impressive performances. Though the latter half might have mellowed that impact, it was still an endearing watch!!!

Rating: 2.75/5

Regards...Ben

Sarvam Maya: "Perfect family flick for the festive season!!!"

We are into 2026 but this opinion piece (another one will follow soon) is about Akhil Sathyan's Christmas release "Sarvam Maya". I presume each & every one of you had a good break, since I certainly did; after all there is no substitute for quality time with our family. Anyway apart from catching up with friends and wolfing the goodies, I had checked out some of the movies that had released over the past few weeks. Anyway, based on box office reports, seems like Nivin finally had much to cheer about his latest flick. 

After being away from the screen for quite a while, the audience got to see Nivin in two avatars in the span of a couple of weeks. The first one was in P R Arun's series, "Pharma" in Jio Hotstar, where he did a fine job as the medical rep who turns whistle blower. In his second outing, he appeared in the role of Prabhendu, an aspiring guitarist who was born into a traditional Brahmin family that were much sought after for performing rituals and prayers. With his career not quite taking flight, he decided to head back home for a short break and assists his cousin, Rupesh (Aju Varghese) who made a living doing rituals. One of them happened to be an exorcism ritual & that's when a spirit (Riya Shibu) befriends him, who is as clueless about her state as him.

This is Akhil's second directorial venture after "Pachuvum Athbutha Vilakkum" which he has penned as well. Unlike the usual Malayalam horror flicks, there are no scary moments & that in itself made it for an interesting watch. In terms of the script itself, there is nothing out of the ordinary but the manner in which the screenplay is drafted with a reliable cast to shoulder it made it an endearing viewing experience. The humour is present right throughout making us to have a smile on our face for many sequences while at the same time, the conflict brought in at the end felt forced. All the technical aspects were neatly done be it Justin Prabhakaran's soulful tracks, Sharan Velayudhan's visuals & the production design team. 

However, the main highlight is undoubtedly the performances led by Nivin who finally found himself in a role that is in his comfort zone. His ease with humour & the ability to evoke a pleasant sensation in the audience whenever he ventures down this track was evident yet again. Riya was excellent as the bindass spirit & the manner in which she exudes a positive vibe with her general demeanour benefited the movie immensely. It's been quite a while since we had the Aju-Nivin combo and as always, it lived upto expectations with their off-screen camaraderie shining through on-screen as well. The rest of the cast such as Janardhanan, Reghunath Paleri etc., did their partly aptly.

Verdict: Akhil weaved the type of grounded feel good magic that is associated with an Anthikkad movie, which was whole heartedly accepted by the audience. The USP is undoubtedly Nivin and the earnest performance put in by Riya with the credible support of Aju, all of which proved to be the recipe for success. So do check it out!!!

Rating: 3/5

Regards...Ben

Kalamkaval: "Mammookka continues to rock with his choice of roles!!!"

Just a couple of weeks more before we step foot into 2026 and as expected there are quite a few releases that has either released or gearing up to do so. Though it's been a busy time on the professional front, I made sure that I found the time to check out some of the flicks and web series that released over the past month or so., such as "Kalamkaval", "Dhurandhar", Season 3 of "The Family Man" & "Delhi Crime" etc. Hence this particular opinion piece is about Jithin K Jose's "Kalamkaval" that saw Mammookka return to the big screen after a short break due to his illness. The legend was top notch as has been largely the trend over the past few years, but did the movie live upto expectations???

Even while the movie was being made, there were talks about Mammookka being the antagonist with the story being based on Cyanide Mohan. Well those assumptions turned out to be true though it is not a biography of that dreaded killer. Set in the early 2000s, SI Jayakrishnan (Vinayakan) is assigned with the responsibility to investigate the flare up that seemed to threaten a full blown communal riot, as a girl had eloped with a guy from a different community. However, it soon became evident that it was a case of misunderstanding as the girl had indeed eloped but it was with someone else. Interestingly, his investigation led him to another girl who had also similarly disappeared & that sequence continued to many more. 

Before I talk about Jithin's directorial skills, let's see how he had fared when it came to his writing skills. There is no doubt that he has a flair of it as was evident in "Kurup" & to be honest, he has done an even better job over here in the company of Jishnu Sreekumar. He has taken elements from Cyanide Mohan's modus operandi & added his own twist to it which has significantly elevated the thrill (the interval block to cite an example). At the same time, I felt the investigation aspect could have been more impactful as it didn't have the wow factor. But that doesnt imply that it bored me at any instance though some might feel a lag at certain junctures. Mujeeb Majeed was solid as his 'Nilaa Kaayum' had the perfect sinister effect while Faisal Ali did justice to the visuals.

The movie's USP is undoubtedly Mammookka's Stanley and he was excellent be it in terms of his slang, body language & expressions which varied from lovable to menacing. Even without the explicit scenes, the legend was still able to convey the emotions of the character. Vinayakan was impressive with his restraint performance which was quite unlike him and made the character believable. There was a huge line of female artists and they did whatever was possible within the limited screen space with Rejisha Vijayan, Gayathri Arun & Shruti Ramachandran doing their parts aptly.

Verdict: Mammookka continued to prove that he is not resting on his laurels but rather taking up characters that gives him scope to perform. Kudos to Jithin Jose for a praise worthy debut which is well supported by Vinayakan, Mujeeb & the female artists. Do check it out!!!

Rating: 3.5/5

Regards...Ben

Eko: "Impressive in all departments!!!"

Over the course of past 11 months, I have watched numerous movies but at times, due to various commitments, I have missed out to write my opinion about many of them. However, there are certain movies that is so impactful that I make sure to find the time to pen about it, to encourage as many to check them out. One such movie is Dinjith Ayyathan's "Eko" that had hit the screens last week. So why did I like it so much???

Bahul Ramesh places the story in Kattukunnu, a sparsely inhabited mountain range in the Kerala-Karnataka border, where Mlaathi (Biana Momin) lived with the support of the young caretaker, Peeyoos (Sandeep Pradeep) & numerous canines for company. She was a Malaysian by birth and one of the wives of Kuriyachan (Saurabh Sachdeva), an expert dog trainer and a character so sinister & intriguing that saw him create many enemies over the years. He had presently gone into hiding to escape from them & the latest person who came in search was his partner of yester years, Mohan Pothan (Vineeth). So was Kuriyachan actually in that region???

As part of media promotions, Bahul did mention that he was inspired by Edgar Wright's 'Cornetto trilogy' & hence this was the third and final instalment of his own 'Animal trilogy' which included "Kishkindha Kaandam" & "Kerala Crime Files 2". He has created a fantastic script which is a slow burner and keeps us engaged until the very last shot. Dinjith has done utmost justice to the written word with his visual depiction of the intriguing world building. The duo doesn't resort to spoon feeding the audience & that was a smart move as it maintains the mysterious aura right throughout and wows us when we understand the revelation. There are other subtle iterations that they convey with the behaviour of various characters but revealing that here will take away the thrill for many of you. 

Along with the script, the technical aspects were executed impressively with Bahul handling the cinematography. The calmness, beauty and dangers of nature are captured exquisitely & that adds more impact to the scenes. Until I heard the background score of this flick, I personally felt that there was no one to even challenge Jakes Bejoy this year but Mujeeb Majeed proved me wrong, as it was just top notch stuff. Similarly, Sooraj also deserves praise for a fine job done with the editing, while the art department also did justice to their work.

Another major positive is the casting choice as it presents us with a set of characters who are known to us but still makes it difficult to make any preconceived notion as to how their characters would behave. Sandeep has always done reasonably well in the few opportunities that he had got and over here, he truly impresses especially towards the latter half, showcasing his ability. Biana Momin was fine with KPAC Leela providing apt dubbing. Vineeth is an artist who has continued to impress over the past few years & with his performance here, it is a reminder that he is an artist that needs to be explored more. Saurabh's choice was good but I dont think he was able to effectively convey the vile and sinister nature of Kuriyachan. Each & every artist have also done their part aptly be it Ashokan, Narain, Saheer Mohammad, Binu Pappan, Ranjith Shekhar etc.

Verdict: This is undoubtedly the best Malayalam movie that I had watched this year. Could it have been better? Well it could have if Saurabh's performance was more effective. However, that doesn't diminish the effect of the story as such. In short, dont miss it!!!

Rating: 4.25/5

Regards...Ben

Kaantha: "Excellent performances though the screenplay lacked heft in the latter half!!!"

Less than 6 weeks left in the year & there are quite a few interesting movies lined up for release. One of them hit the screens this weekend which happened to be Selvamani Selvaraj's "Kaantha" bank rolled by Rana Daggubati & DQ under their Spirit Media & Wayfarer Films banners respectively. The trailer had created a flutter among the audience & I was eager to check it out as it looked like a winner. However, looks can be deceiving.

Set in the 1950s, Selvamani along with Tamizh Prabha who had penned the script, gives us a glimpse of the Tamil film industry of those times. After delivering numerous blockbusters over the years, Modern Studios which was presently managed by Martin (Ravindra Vijay) was in dire straits & as a last resort he decided to revive the shelved project, 'Shantha'. It was the dream project of the renowned director, Ayya (Samuthirakani) which had to be dropped earlier due to the ego issues between Ayya & his protege, TK Mahadevan (DQ), the numero uno box office star. Eventually due to Martin's request & pressure, Ayya reluctantly agreed to work with Mahadevan on the condition that the heroine will be his protege, Kumari (Bhagyashri Borse). But it was easier said than done especially since Ayya & Mahadevan couldn't stand each other's presence.

Initially there were speculations that DQ's character was inspired from the life of MKT Bhagavathar, who is considered as the first superstar of the Tamil film industry due to the focus on the character's looks, singing ability and the murder allegation. Later on, there were speculations about M.R Radha also being an inspiration as he was known as 'Nadigavel' (DQ's character is referred to as 'Nadigar Chakaravathy') who was charged for the assassination attempt on MGR. Anyway though the makers have denied  it, it would be fair to say that elements from both these real life individuals have provided inspiration. 

The movie begins with the focus on the feud between Ayya & Mahadevan, before it becomes an investigative drama in the latter half. The transition is smooth and the audience is kept hooked to the proceedings that unfold. Though there are some impressive sequences in the second half as well, I felt that there was lack of adequate content to provide the effective connect between those sequences. The melodramatic scenes lacked the expected punch despite the excellent performances and technical prowess. 

The USP is undoubtedly the performances with DQ producing his career best performance as he effortlessly portrayed the aura, arrogance and pain that his character went through. Samuthirakani put on an equally commendable act along with Bhagyashri who ensured that she is more than just a pretty face. Rana did a fine job as well & was certainly enjoyable from the audience perspective, but somewhere I felt it was not in sync with the way the rest of the characters of that period behaved. The rest of the artists have also done justice to their part. 

On the technical side, Dani Sanchez Lopez deserves special praise as the cinematography had a major role to play here. The choice of lighting, the retro feel and shadows were equally important in imparting the desired effect and he aced it (pretty much like what he did in "Mahanati") aided by Llewellyn Antony's editing skills. Jakes Bejoy's purple patch continued as his score was in sync with what the movie demanded while the songs by Jhanu Chanthar was fine. 

Verdict: Certainly expecting it to feature prominently in many of the award functions next year. Similarly, expecting it to be a winner at the box office. In short, do check it out!!!

Rating: 3.5/5

Regards...Ben

Dies Irae: "Rahul yet again stamps his authority in the horror genre!!!"

Unlike the previous years, the announcement of the Kerala State Awards has been much delayed & presently it is expected by Monday. Among the various nominees, the one that I am most excited about is Rahul Sadasivan's "Bramayugam" as it was impressive in most of the categories. So much so, I would be surprised (with all due respect to Vijayaraghavan & Asif Ali) if Mammookka isn't awarded the best actor for his fantastic performance as 'Kodumon Potti'. Hence when Rahul had announced that his latest flick was hitting the screens on Halloween, it was more than ample reason to be excited about it. So will he able to match the high standards that he set with his recent two directorial ventures???

As with his earlier movies, Rahul had penned the script which commences with the audience being introduced to Madhusudhanan Potti (Gibin Gopinath), a building contractor who was perturbed by some signs. Soon after, he gets to know that his neighbour, Kani (Sushmitha Bhat) had committed suicide. The focus moves to Rohan (Pranav Mohanlal), a rich spoilt brat who reveled in drugs and flings had thrown a party for his buddies and that's when he learned about Kani's death with whom he had a brief affair after which he had ghosted her. Little did he realize that this incident was going to have an impact in his life. 

The main reason I like about Rahul's movies is his ability to create fright out of the ordinary rather than resort to the typical gimmicks. Obviously, those elements does feature as well with the predominant focus being on the sound design that is weaved organically into the screenplay making it an immersive experience for the audience. On the terms of the story as such, I would not rate it as unique or something that keep us hooked to it. This is where his directorial skills came to the fore as his brilliant technical team did utmost justice to his vision. 

Incidentally, it is the same technical team from "Bramayugam" that had assembled here and they have showcased their class here also. This includes Christo Xavier's excellent BGM and the sound design handled by Jayadevan Chakkadath & MR Rajakrishnan which was exceptional to say the least. Shenad Jalal's visuals and Shafique's editing perfectly conveyed the mood to the audience while the excellent work done by the art & makeup team deserves special praise. 

Coming to performances, there are just a handful of characters and each one of them have done complete justice to their part. These include Pranav who finally landed a role that completely suited him in the sense that it did not require him to portray a lot of emotions. At the same time, his performance during the tense moments was impressive. Equally impressive or maybe a notch higher will be Gibin Gopinath with Jaya Kurup putting in a commanding act as well.

Verdict: This is yet another benchmark in this genre as Rahul continues to push the envelope in terms of craftsmanship & story telling. Do check it out!!!

Rating: 3.5/5

Regards...Ben

The Pet Detective & Pathirathri: "One of them should be able to light up the box office!!!"

It's that time of the year where we have a plethora of releases in different industries to cash in on the Diwali holidays. This year was no different as there were quite a few in Malayalam as well, not to mention the numerous OTT releases that hit the small screen. All in all, it provided much needed relief from the mediocre performance showcased by the Indian Women's Team in the Cricket World Cup until now. 

The Pet Detective: "Sharafudheen's debut venture as a producer should give him smiles!!!"

There is more than a good chance that most of the people would have been reminded of Jim Carrey's "Ace Ventura: Pet Detective" when they heard this title for the first time. After having plied his trade as an actor for more than a decade, Sharafudheen decided to take up the mantle of a producer. It also happened to be the directorial debut of Praneesh Vijayan who had also penned the script along with Jai Vishnu, the latter having earlier worked on "Madhura Manohara Moham". 

The duo has created a comic caper which has multiple parallel tracks & characters that overlap with each other at various junctures before converging in the climax. As the makers had mentioned in one of the promotional event, they had kept "CID Moosa" as a reference and wanted to craft this flick along those lines. The movie unfolds in Mexico where Jose Alula (Renji Panicker), a private detective had to flee the country to escape from the clutches of the dreaded underworld don, Peter Sambai. Though he had planned to open up a detective agency in Kerala, it didn't quite pan out & he decide to devote his time to write crime novels about Sambai. In due course of time, the agency was entrusted to his son, Tony (Sharafudheen) who struggled to derive any benefit from it until he located a missing dog. Around the same time, he gets involved in the missing of a child which in turn was linked to the smuggling of exotic fishes. How he manages to clear his name & in turn, solve the case is what the story is about. 

As mentioned earlier, there are numerous parallel tracks and the manner in which characters gets added to it is definitely interesting especially the one that links to Tony's school mates. It is a type of movie that is not supposed to be taken seriously but still has a reasonable tale narrated in a hilarious manner. For most parts, it does tick the boxes when it comes to humour & certainly made me laugh in a couple of sequences. The climax reminds one of the typical clash of all the characters as in Priyadarshan flicks, though I felt the chaos went overboard here and lacked that organic flow. 

On the technical side, it was neatly done though no particular aspect deserves special mention. Coming to performances, almost all the characters did justice to their part despite the varying length of their characters. Sharafudheen was impressive and pulled off his part mixing humour and the swagger of the lead well. Vijayaraghavan rocked as expected, Vinay Fort was fine (his part ought to have been more) along with Anupama Parameshwaran, Joemon Jyothir & Shyam Mohan. 

Verdict: It's a fun filled flick which delivers what it promised & manages to keep us in good spirits!!!

Rating: 2.5/5

Pathirathri: "Underwhelming, considering the quality of the cast & crew!!!"

Over the past few years, most of the choice of movies that Mammookka has been part of has made it an exciting experience for the audience. Though many of them has been spoken about, one movie that is quite underrated which I personally rate as one of the best in the lot (after "Bramayugam") is Ratheena's "Puzhu". Hence this was more than ample reason as to why I wanted to watch "Pathirathri", not to mention that the script was drafted by Shaji Marad who had worked on the screenplay of "Ela Veezha Poonchira". 

Based in Anakkara, SI Jancy (Navya Nair) was a sincere officer who tried to follow the rules as per the book even as she struggled with the cold relationship that she shared with her husband. In the same station, CPO Hareesh (Soubin Shahir) was also going through a marital discord which made him seek the legal system to spend time with his daughter. When it came to his professional responsibilities, he was quite unlike Jancy due to which they didn't get along well. It so turned out that both of them were entrusted to do the night patrol together which made them witness to an incident that threatened to put their lives into jeopardy.

There has been quite a few movies in recent times that more or less follows the same pattern, with "Ronth" being a prime example. It also has the reference to another popular movie (it will be a spoiler for one of the character arc), all of which categorises it in the crime drama genre. However, even as the others had an identity of its own in some way or the other, the issue over here is that it is way too generic. Even as we are shown the personal lives of Jancy & Hareesh, it fails to provide any kind of emotional connect which literally makes those segments insignificant to the story as such. One might state that both of them becomes a shoulder for other's sorrows, but the way it has been crafted felt way too abrupt & lacked the effect expected. None of the sequences managed to excite the audience as it was neither unique nor was it taken in an engaging manner. 

As I was going through the list of the crew involved here, I was surprised to know that the music belonged to Jakes Bejoy as it was rather mundane. The same also applies to the others as none of them quite stood out. However, when it came to performances, Soubin was definitely better while Navya didnt come across as natural in the role of the SI though the emotional turmoil that she faces was conveyed aptly. As for the rest of the cast, Harisree Ashokan was wasted in an inconsequential role, Indrans impressed in a brief appearance while Ann Augustine, Sunny Wayne & Athmiya Rajan were ok. 

Verdict: There are elements in the story that reminds us of other similar flicks. On the whole, it was underwhelming considering the talent that was on offer both in front & behind the camera!!!

Rating: 2/5

Regards...Ben