Dilse reviews...
Saturday, July 26, 2025
Ronth, Detective Ujjwalan, Azadi and Mr & Mrs Bachelor
Sunday, July 13, 2025
Narivetta, Moonwalk & Aabhyanthara Kuttavaali: "Better writing could have guaranteed better returns!!!"
It's been quite a while since I have penned my opinion about the movies that I watched. However, that doesnt imply that I didnt watch any in that period. On the contrary, I had watched a handful in Malayalam, Tamil, Hindi & English, & except for ones like "F1", most of them were average or failed to impress. This opinion piece talks about some of them & hopefully some of the exciting projects that is linked up for release in the next month or so, will make up for it.
Narivetta: "Decent portrayal of a real life protest!!!"
The 2003 Muthanga incident is a dark chapter in the history of our state & for the unversed, it was the protest of the tribals against the state machinery for not having honoured their promise of alloting them a dedicated land for their livelihood. Despite being interested in history, I have to admit that I didn't have much knowledge about this incident except for the basic premise. But the fact remains that the hardships of the tribal community continues to this day.
Based on this incident, Kendra Sahitya Akademi Yuva Puraskar recipient Abin Joseph crafted a fictionalised version of it with Anuraj Manohar calling the shots. The movie unfolds in Kuttanadu where Paul Varghese (Tovino Thomas) is shown as a carefree yet educated & politically ignorant individual who was in a relationship with Nancy (Priyamvada Krishnan). Despite having got the job as a police constable, he was reluctant to join initially as he aspired for a superior position. However, circumstances required him to take up the job & as part of that he was part of the battalion that was entrusted to control the tribal protests in Cheeyambam in Wayanad. What subsequently unfolds as part of that protests is what this movie is about.
These kind of subjects are handled expertly by Tamil directors such as Vetrimaran, Pa Ranjith etc. & in that sense, Anuraj can be proud of what he had pulled off. This is his sophomore project after "Ishq" & there is no doubt that he has done a fine job when it came to capturing the core incident. He deserves appreciation for the manner it was staged and executed along with the cinematographer, Vijay; as both of them were able to build the pressure on screen. Giving them competent support was Jakes Bejoy, who I personally rate as the finest in his line of work at present. His BGM was impressive & the 'Minnalvala' track rendered by Sid Sriram & Sithara is undoubtedly the song of the year.
At the same time, Abin's script could have been more impactful, though I guess the sensitivity of the issue might have made him tone down the intensity. The lack of adequate awareness about the incident among the public might have been the reason why he chose to portray Paul as rather naive and insensitive to the demands of the tribals. On paper that looked fine but Tovino's portrayal of the character was quite watered down while Suraj was top notch as Basheer, the seasoned head constable. Arya Salim (as CK Janu obviously) was impressive while Cheran, Pranav Teophine (as Thammi) & Priyamvada did their parts aptly.
Verdict: There is no doubt that Anuraj & his technical team has done a fine job in executing the plot. However, Abin's script could have been much more impactful which also contributed to Tovino's performance not being quite upto the mark.
Rating: 3/5
Moonwalk: "Cultural nostalgia is the main USP!!!"
When I reminiscence about my school days, one of the things that instantly pops to mind is the youth festival where the three houses slug it out over two days for the ultimate honour. The iconic event was undoubtedly the dance events, especially Western dance where 'Break dance' ruled the roost with Champions at it literally treated as demi gods. I was so inspired by one of my seniors, that I used to memorise his moves and practise it back at home. In future, I have been lucky enough to use it in competitions to good effect. Hence when LJP share the first look poster of "Moonwalk", which he had bank rolled, I was keen to check it out.
This is Vinod AK's debut directorial venture & he had penned the script as well which lacked the conventional template though it can be termed as the journey of an underdog. The movie is set in the late 80s when Michael Jackson was setting the world ablaze with his electrifying music and dance moves. It had landed on our shores as well & the movie is about a group of friends from various strata of society who was bound by their passion for break dance. Along with Mathew Varghese & Sunil Gopalakrishnan, Vinod has crafted the screenplay in such a manner where we get a glimpse of the political outlook, societal pressure, family dynamics and most importantly, camaraderie among this band of friends.
Did it manage to keep me invested in it for the entirety of its run time? It didn't but at the same time it didn't test my patience as well. Rather than the dance as such, the earnest performance of the artists & the emotional connect between them on the face of challenges is what had me interested. Majority of them were newcomers & hence I dont know most of their names. However, among them; Anunath (as Jake) & Sibi Kuttappan (as Sura) had more screen time and both of them did their parts well, with the rest of the gang supporting them aptly. On the technical side, Sabu Mohan's art direction & Ansar Shah's choreography deserves special mention as it did justice to the period that it was staged. Prashant Pillai's music was in sync with the mood while Sreejith Dazzlers choreography was decent.
Verdict: It would certainly give you a sense of nostalgia especially if you were born in that period. From a story point of view, it could come across as rather underwhelming for quite a few due to lack of a core plot!!!
Rating: 2.25/5
Aabhyanthara Kuttavaali: "Relevant theme let down by its writing!!!"
Section 498A of the Indian Penal Code is something that most of us are aware about, having read or heard about it in print and media respectively. The harassment that women face as a result of dowry related arguments is a menace that refuses to die down despite much talk about it. At the same time, there has been instances where women have taken advantage of it & put the men on the docks. The directorial debut of Sethunath Padmakumar is based on this theme which he has penned as well.
The person in question is Sahadevan (Asif Ali) who had recently tied the knot with Nayana (Thulasi). The couple has been together for just about 10 days, when Nayana decided to head back to her home uninformed. However, soon enough Sahadevan was called up by the police on accusation of domestic abuse and mental harassment by his wife. It was now upto him to seek justice & prove his innocence.
Sethunath has certainly chosen a relevant theme but where he has faltered was when it came to giving a balanced outlook to it. It was way too skewed and one sided, so much so that almost all the characters that was shown in the movie were victims of it. So much so, the point raised by the opposite party in the end failed to evoke any sense of empathy which led to the climax being average at best. If it wasn't for Asif's performance, the movie would have fallen flat coz he is a pro when it comes to showcasing the helplessness of characters. Both the female artists, Shreya Rukmini (as Adv Anila) & Thulasi was average and their performance was also hampered by poorly written parts. The rest of the cast included Jagadish who was wasted after being shown as an imposing character while Azees Neumangad and Anand Manmadhan were ok.
Verdict: It had the potential to become a worthy watch if more attention was paid to its writing. In short, the makers has much to thank Asif, if people tend to watch it till the end!!!
Rating: 2/5
Regards...Ben
Saturday, May 24, 2025
Prince & Family, Sarkeet & Padakkalam: "Appeals to the family audience!!!"
With "Thudarum" having a sensational run at the box office, it was always going to be a tall ask for the subsequent releases to stay afloat. Hence quite a few of them had moved their release dates, though a couple of makers decided to stick on with their original plan & take their celluloid creations to the audience. So how did the audience warm up to them???
Prince & Family: "Dileep manages to pull in the family audience!!!"
It's been quite a while since Dileep had a flick that showed any semblance of being a box office success which he had aplenty in the past. His latest release in with Binto Stephen who is making his directorial debut, with Sharis Mohammed working on the script. So will these duo manage to orchestrate a change in box office fortunes???
Prince (Dileep) was a designer by profession and the eldest of three sons, though unlike his siblings he was still a bachelor as none of the martial alliances quite worked out. With his age being on the higher side, he wondered whether he would ever be able to tie the knot. It was at this juncture that he met up a girl that he believed was an apt choice. But was it indeed??? Sharis has penned it in such a manner whereby the first half has that typical comedy that we usually associate with such bachelor. It doesn't imply that it doesn't work as quite a few sequences genuinely managed to evoke laughs, but it lacked freshness. The tone shifts in the second half which I am not explicitly mentioning here, might have come across as an abrupt change. But knowing Sharis's track record of touching upon a socially relevant topic as in "Queen", "Jana Gana Mana" etc., it shouldn't come as a surprise. However, Binto has done a decent job in its execution while the technical aspects were satisfactory but it doesn't deserve special mention.
On the performance front, Dileep has done a decent job along with Raniya Raanaa in her debut venture though she does go over the top at times. However, Vincy Aloshious who had dubbed for her was impressive and captured the character variations well. Manju Pillai impressed in her part while Johny Antony felt like a miscast for that role. As for the rest of the cast, Siddique & Bindu Panicker did their parts aptly, Dhyan Sreenivasan appeared in an insignificant role (I guess he was included to handle the online marketing) & Urvashi, in a cameo stood out as expected with her dialogue delivery.
Verdict: Based on the box office reports, the movie seemed to have made a profit for the makers. However, in terms of whether it managed to engage me, it was average at best!!!
Rating: 2/5
Sarkeet: "This sarkeet could have been way more impactful!!!"
Over the past year or so, Asif Ali has been on a roll with his choice of movies that he backed up with endearing performances. The latest to be added to that list is Thamar's "Sarkeet" which is essentially about the bond between two strangers from different walks of life. As a film maker, Thamar had already proved his potential with "1001 Nunakal" & hence I was quite eager to check this out especially with Asif in the lead.
As Thamar is based in the Middle East, he is quite well versed with the terrain & the various characters that set foot on that land in the hope of a better future. This is what he had showcased in both his flicks with the focus here being on two sets of characters. On the one side, there is Ameer (Asif Ali) who had come with the hope of finding a job, but all his efforts had drawn blanks. The other side had a stressed out middle class couple, Balu (Deepak Parambol) & Steffi (Divya Prabha), parents to Jefron (Orhan Hyder) who was diagnosed with ADHD. As fate might have it, Ameer crosses path with Jefron and the events that happens subsequently is what this movie is about.
In the hands of lesser directors, there would have been an overload of melodrama in dealing with a subject like this. However, Thamar has shown both the parties in a realistic manner which makes it an engaging first half. But he failed to create the same effect in the latter segment as it was quite watered down or rather cinematic despite the earnest performance of the artists. At the same time, the technical team has done a fine job especially Govind Vasantha's music and BGM which was completely in sync with what the movie demanded.
Asif Ali has steadily improved upon his craft over the years & one particular aspect that stands out is his effortless portrayal of emotional scenes. Over here, he impresses with an understated performance that is endearing and the bond with Orhan is convincingly exhibited. Orhan has also done his part well as he was certainly irritating at times as the character demanded. As for the rest, Deepak & Prasanth was ok while Divya was average.
Verdict: An endearing movie for most parts that focused on the emotional bond between two characters which was endearingly performed by Asif & Orhan. However, it felt like more suited for the OTT platform!!!
Rating: 2.5/5
Padakkalam: "Decent fun fantasy comedy!!!"
It's been quite a while since we had a genuinely hilarious comedy flick that doesn't depend on sexual innuendos & Manu Swaraj decided to do just that in his directorial debut. Along with another debutant, Nithin Babu, the duo penned the script which essentially falls into the fantasy comedy genre. The movie unfolds with a narration speaking about a tablet that held mysterious powers and made its way across generations. In the present day, the story is set in a college where Jithin (Sandeep Pradeep) is on the verge of breakup with his girlfriend. Around the same time, two of his professors, Shaji (Suraj Venjaramoodu) & Renjith (Sharafudeen) were battling it out for the position of HOD. Eventually, the position went to Renjith as the former had manhandled the Principal. But there was more to it than what met the eye.
There is no doubt that it had some genuinely hilarious sequences with opportunities provided for the three main characters to perform. It did have the feel of Binu Sadanandan's "Ithihasa" but it still did have an identity of its own coz of the dynamics between the friends and the pop culture banter makes it an enjoyable watch. Friday Film House is always known for spotting talents & supporting this, & it was no different here as Manu has done a fine job in executing the project by staying true to what the content promised.
The technical aspects were handled neatly but the USP is undoubtedly the performances. Sharafudeen was impressive as he handled both villainy & humour with ease. It's been a while since Suraj has featured in a role that dabbled with humour and he has done a fine job as expected. The surprise was undoubtedly Sandeep who did utmost justice to the part given to him as it could have gone horribly wrong. The rest of the cast such as Saaf, Arun Pradeep, Arun Ajikumar etc., did their parts aptly.
Verdict: As per the makers, the movie has already broke even & that was not surprising considering it is a flick that will appeal to the family audiences. So do give it a try!!!
Rating: 2.5/5
Regards...Ben
Tuesday, May 6, 2025
Bazooka, Alappuzha Gymkhana & Maranamass : "Middling returns from the box office!!!"
Tuesday, April 29, 2025
Thudarum: "Lalettan & Tharun's mastery over their craft and box office continues!!!"
Last Friday, "L2: Empuraan" hit the OTT platform after a thumping run at the box office which saw the makers earn in the range of about 360C inclusive of all deals. In the meantime, there has been quite a few releases over the past fortnight during the Easter/Vishu weekend. However, this opinion piece is not about those movies (which I will pen over the next week or so) but rather about Tharun Moorthy's "Thudarum". To be honest, I have been eagerly waiting for its release as I was impressed with his previous releases & hence I was curious to know as to how effectively he would be able to utilise the caliber of a legend like Lalettan.
The movie unfolds in Ranni where Shanmugham aka Benz (Lalettan), led a peaceful life with his wife, Lalitha (Shobhana) & their two children. He was a former stunt man who presently plied his trade as a driver albeit without proper permits in his beloved vintage Ambassador car. Things took a turn when he went to attend the funeral of his former boss as his car was seized by the police as part of an investigation. What subsequently follows are his efforts to retrieve the car.
K R Sunil is a name that most of us may not know unless one is into photography as he is quite accomplished at it & with his debut effort as a script writer, he has proved that his skill with the pen was in no way inferior to his frames. On paper, it comes across as a standard revenge drama but the screenplay that he had penned in the company of Tharun made sure that it had all the elements that interested the audience & excited the fans. The first half had the self deprecating humour and quite a few light moments that kept us in good spirits. But subsequently, there was a marked shift in tone with emotional and action sequences taking centre stage.
The characters were well etched be it Lalettan, Prakash Varma or Binu Pappan, with the major positive being the emphasis given to the latter two characters i.e. the antagonists. More often than not, the makers tend to forget that the antagonist has to be portrayed equally strong to ensure that the impact of the protagonist is celebrated even more. Over here, Tharun & Sunil didn't make that mistake & also included some interesting events such as the landslide etc., as relevant to the plot. On the whole, certain scenes and its treatment reminds us of flicks like "Bhramaram", "Drishyam" , "Oppam" etc., but it still has an identity of its own. Another major positive was Jakes Bejoy's music which elevated many of the sequences and the choice of specific instruments for the main characters was impressive. As for the visuals by Shaji Kumar and editing by the late Nishadh Yusuf & Shafeeque V B, both aspects were neatly done.
It's been a while since we came across a movie that celebrated the actor in Lalettan & this one ticks most of the boxes in that respect. He is given the opportunity to showcase a myriad of emotions which kept us invested in the story. Prakash Varma is a doyen in the ad world & he was absolutely brilliant as CI George Sir with his mild yet intimidating manner of dialogue delivery. Binu Pappan was impressive as well while Shobhana manages to score in the latter half especially when it came to certain expressions. But on the whole, she didnt come across as endearing as I had expected. The rest of the cast such as Thomas Mathew, Farhaan Faasil etc were fine in their parts.
Verdict: Undoubtedly, the most wholesome Lalettan movie that we have seen in quite a while. It just goes to show that in the hands of a talented film maker and a credible storyline, the legend will continue to shine. In short, do check it out!!!
Rating: 3.75/5
Regards...Ben
Friday, March 28, 2025
L2: Empuraan: "Visually impressive but lacks narrative depth!!!"
Finally the most awaited Malayalam movie of the year has hit the screens in a manner that was reminiscent of the tsunami. The pre-release ticket sales threw up some astonishing numbers and all that contributed to a historic global box office opening of around 65C. With Eid falling on Monday, the extended weekend should have Aashirvad Cinemas & Sree Gokulam Movies reasonably confident about their returns in investment. But the question is whether the movie has the substance to sustain this excitement beyond the weekend, after the initial hype abates???
The movies unfolds in 2002 where communal riots led to the massacre of many Muslims which included Zayed's family (Karthikeya Dev) as well. The attacks were orchestrated by Balraj (Abhimanyu Singh) & his brother, Munna (Sukant Goel), with Zayed being the only one who managed to escape from the horrific mass slaughter. In the present day, Jatin Ramdas (Tovino Thomas) who had been the CM for close to a term found himself embroiled in numerous scams and financial irregularities. To add to that, a prominent political party with roots predominantly in North India decided to make their presence felt in Kerala. In this bleak situation, Govardhan (Indrajith) tries to locate Stephen (Lalettan) to seek help.
First & foremost, this is undoubtedly the finest Malayalam movie in terms of the production quality. Hats off to Prithvi for the way he has mounted this flick as it embodied grandeur. It definitely deserves to be watched on the big screens & the main reason for that are the exquisite frames captured by Sujit Vasudev. The action sequences were brilliantly staged especially the one in the jungle though the climactic one felt rather outdated (& in a way, reminded me of "Jilla"). As for Deepak Dev's music, it was quite underwhelming for most parts with the BGM at times failing to enhance the high moments.
However, irrespective of the canvas, the backbone of any movie is the script & to be honest, I was quite disappointed with what Murali Gopi came up with. The focus of the movie is on two aspects, one being Khureshi Abraam & the other, Stephen Nedumpally. Coming to Khureshi, the character was explored superficially with focus more on aesthetics rather than heft in the conflict that he had with other nexus. As for Stephen, though there was more meat to proceedings, many of the sequences & dialogues felt more like a rehashed version from the prequel. In effect, it failed to evoke as many high moments as expected. In terms of content, Kerala politics, international nexus, backstory & reason for change of certain integral characters made it feel like there was more adequate stuff to make it a delightful treat. But the truth is Murali has failed to gel it convincingly.
Coming to performances, Lalettan was impressive & did what was possible within the scope of the character though it didn't give him much opportunity to perform as such. He effortlessly carried the swag & the aura that the character demanded and owned the action sequences. Both Prithvi & his younger avatar, Karthikeya did their parts aptly. Abhimanyu & Sukant were both impressive in their negative avatar while Jerome Flynn as Boris had a significant role and did justice to it. Manju Warrier had more scope to perform and did her part aptly along with Tovino. There were numerous others also but most of them barely had adequate screen time or character arc to showcase their ability.
Verdict: There is no doubt that the movie deserves a watch & that too in the theatres. However, the weak storyline could certainly hamper the potential that it could otherwise have had. Anyway it will certainly inspire other makers from our industry to dream big & hopefully, Murali will have a banger script in L3!!!
Rating: 2.75/5
Regards...Ben